<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Britz: A Review</title>
	<atom:link href="http://www.yahyabirt.com/?feed=rss2&#038;p=115" rel="self" type="application/rss+xml" />
	<link>http://www.yahyabirt.com/?p=115</link>
	<description>Musings on the Britannic Crescent</description>
	<lastBuildDate>Mon, 19 Jul 2010 15:40:53 +0100</lastBuildDate>
	<generator>http://wordpress.org/?v=2.8.4</generator>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
		<item>
		<title>By: Rita</title>
		<link>http://www.yahyabirt.com/?p=115&#038;cpage=1#comment-3688</link>
		<dc:creator>Rita</dc:creator>
		<pubDate>Tue, 06 Nov 2007 15:24:04 +0000</pubDate>
		<guid isPermaLink="false">http://www.yahyabirt.com/?p=115#comment-3688</guid>
		<description>In the black and white cosmos of Britz’s writer/producer Peter Kosminsky, the journey between the rational and the radical comes with no middle grounds, no flexibility, no half-way adjustment but only 180 degrees turn around. That is why at first the two central characters both start as conformists, though the brother is trying harder to out-British the Brits.
One may ask if there are just two categories where the people can be placed. What about the dominant but silent majority, the middle ground, those who make adjustments, modify their stances and moderate their thoughts and actions. Something evident from from how Muslim youth cope, negotiate, accommodate and make peace in their educational and professional lives all the time.
Are there any subtle messages? Quite a few: What a Muslim young man has to do to be considered on the right (but not principally correct) track. Kosminsky wishes to fit Britain&#039;s second generation Muslims in very narrow and rigid categories. The binary logic functions as follows:
•	You are either indebted or ungrateful 
•	Either a reformist or a rebel 
•	Either conformist or rejectionist 
You are expected to accord unquestioning support even if concerns your neighbours, relatives or peers. Compromises are the key if not a compulsory condition to a career that can be unthankful. Thus when Sohail decides to side with the just cause, he chooses not to object himself questioning a badly beaten person tortured in Romania.
Kosminsky&#039;s bid to display dichotomies faced by Britain&#039;s second generation Muslims is fraught with daunting dilemmas. With the Union Jack on one hand and flames on the other, Britz&#039;s promotional billboards on the streets ask: Whose Side You Are On?
It will be useful to know who commissioned this campaign and how much money was allocated for it? What is the total number of hoardings splashed all over UK? How does those sums compare with other C4 programmes? Perhaps viewers needed to suspend common sense to swallow propaganda packaged as entertainment. Though the launch coincided timed with Haloween, at least the promotion could didn’t pitch Peter Kosminsky&#039;s latest brainchild as: Bomb in a womb thriller!  

A closer look will find the gaping holes in Kosminsky&#039;s either-black-or-white portrayal of British Muslims too many to count. Here are but a few: 

Spoof 1 : Nasima&#039;s mentor teaches her to be discrete and never attract attention. Then she drives Naz on a motorcycle through the narrow lanes of Peshawar where nothing could have proved a bigger head turner in those crowded places. 

Spoof 2 : Where do you find a female worshipper saying prayers standing between two male prayers on either side? Life in the training came seems to be juxtaposed from the Russian dramas portraying Chechnya making the portrayal of life in frontier outposts both problematic and patchy.
Spoof 3: Having got Riz laid with fellow spy, the only time Kosminsky finds convenient to get Naz and Jude together in the bed is when Naz&#039;s mother is in hospital and her mate still in custody. If Naz could be thus comforted, how she will opt for eternal pains?

I wonder if instead of remaining captive of his own contrasts, Kosminsky ventured some new angles by switching the characters’ education and career paths. 

An interesting twist would have been that following their arrest on false drunk driving charges Sohail becomes a Juijisto champion (or Bradford&#039;s answer to Amir Khan). Nasima becomes the next  Shami Chakrabarty an icon of upholding the liberties against all odds. But perhaps showing such trajectories wouldn’t bring the stirs the producer sought.

Rita Jones, London</description>
		<content:encoded><![CDATA[<p>In the black and white cosmos of Britz’s writer/producer Peter Kosminsky, the journey between the rational and the radical comes with no middle grounds, no flexibility, no half-way adjustment but only 180 degrees turn around. That is why at first the two central characters both start as conformists, though the brother is trying harder to out-British the Brits.<br />
One may ask if there are just two categories where the people can be placed. What about the dominant but silent majority, the middle ground, those who make adjustments, modify their stances and moderate their thoughts and actions. Something evident from from how Muslim youth cope, negotiate, accommodate and make peace in their educational and professional lives all the time.<br />
Are there any subtle messages? Quite a few: What a Muslim young man has to do to be considered on the right (but not principally correct) track. Kosminsky wishes to fit Britain&#8217;s second generation Muslims in very narrow and rigid categories. The binary logic functions as follows:<br />
•	You are either indebted or ungrateful<br />
•	Either a reformist or a rebel<br />
•	Either conformist or rejectionist<br />
You are expected to accord unquestioning support even if concerns your neighbours, relatives or peers. Compromises are the key if not a compulsory condition to a career that can be unthankful. Thus when Sohail decides to side with the just cause, he chooses not to object himself questioning a badly beaten person tortured in Romania.<br />
Kosminsky&#8217;s bid to display dichotomies faced by Britain&#8217;s second generation Muslims is fraught with daunting dilemmas. With the Union Jack on one hand and flames on the other, Britz&#8217;s promotional billboards on the streets ask: Whose Side You Are On?<br />
It will be useful to know who commissioned this campaign and how much money was allocated for it? What is the total number of hoardings splashed all over UK? How does those sums compare with other C4 programmes? Perhaps viewers needed to suspend common sense to swallow propaganda packaged as entertainment. Though the launch coincided timed with Haloween, at least the promotion could didn’t pitch Peter Kosminsky&#8217;s latest brainchild as: Bomb in a womb thriller!  </p>
<p>A closer look will find the gaping holes in Kosminsky&#8217;s either-black-or-white portrayal of British Muslims too many to count. Here are but a few: </p>
<p>Spoof 1 : Nasima&#8217;s mentor teaches her to be discrete and never attract attention. Then she drives Naz on a motorcycle through the narrow lanes of Peshawar where nothing could have proved a bigger head turner in those crowded places. </p>
<p>Spoof 2 : Where do you find a female worshipper saying prayers standing between two male prayers on either side? Life in the training came seems to be juxtaposed from the Russian dramas portraying Chechnya making the portrayal of life in frontier outposts both problematic and patchy.<br />
Spoof 3: Having got Riz laid with fellow spy, the only time Kosminsky finds convenient to get Naz and Jude together in the bed is when Naz&#8217;s mother is in hospital and her mate still in custody. If Naz could be thus comforted, how she will opt for eternal pains?</p>
<p>I wonder if instead of remaining captive of his own contrasts, Kosminsky ventured some new angles by switching the characters’ education and career paths. </p>
<p>An interesting twist would have been that following their arrest on false drunk driving charges Sohail becomes a Juijisto champion (or Bradford&#8217;s answer to Amir Khan). Nasima becomes the next  Shami Chakrabarty an icon of upholding the liberties against all odds. But perhaps showing such trajectories wouldn’t bring the stirs the producer sought.</p>
<p>Rita Jones, London</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: A week in blogs &#8216;n&#8217; media &#171; Muslim Recovery</title>
		<link>http://www.yahyabirt.com/?p=115&#038;cpage=1#comment-3616</link>
		<dc:creator>A week in blogs &#8216;n&#8217; media &#171; Muslim Recovery</dc:creator>
		<pubDate>Sun, 04 Nov 2007 20:01:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.yahyabirt.com/?p=115#comment-3616</guid>
		<description>[...] Britz: A Review (Yahya Birt) Britz: a negative opinion (Indigo Jo [...]</description>
		<content:encoded><![CDATA[<p>[...] Britz: A Review (Yahya Birt) Britz: a negative opinion (Indigo Jo [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Yusuf Smith</title>
		<link>http://www.yahyabirt.com/?p=115&#038;cpage=1#comment-3497</link>
		<dc:creator>Yusuf Smith</dc:creator>
		<pubDate>Fri, 02 Nov 2007 10:28:54 +0000</pubDate>
		<guid isPermaLink="false">http://www.yahyabirt.com/?p=115#comment-3497</guid>
		<description>As-Salaamu &#039;alaikum,

I think that certain details in this drama really showed that the programme-makers hadn&#039;t done their homework, such as the dress of the female trainees at the training camp.  It is *well-known* that women in that environment wear full hijab and cover their faces in front of men, and that the men would not have touched them as happened during the &quot;covenant&quot; scene.  They also didn&#039;t explain how a lookalike to Nasima ended up dead in a ditch.

Also, the bit about the control orders might have worked if the programme was presented as some sort of cautionary tale about where the Blair control order legislation might lead, but that wasn&#039;t my impression at all.  Much as there have been no female suicide bombers in this country (and the only women tried for involvement in any way have been cleared), I&#039;ve not heard of a single woman being given a control order, and it seemed strangely lenient given that she was allowed to go into college and somehow trusted not to meet people who were on the list of people she couldn&#039;t meet but one of whom went to that college.  And the idea of someone killing themselves after that - particularly as she wasn&#039;t under the order that long when she did it, and her friend still managed to get into her house to talk to her - doesn&#039;t ring true, particularly for a Muslim.

Too much artistic licence and/or ignorance, in my opinion.

Yusuf, New Malden, Surrey</description>
		<content:encoded><![CDATA[<p>As-Salaamu &#8216;alaikum,</p>
<p>I think that certain details in this drama really showed that the programme-makers hadn&#8217;t done their homework, such as the dress of the female trainees at the training camp.  It is *well-known* that women in that environment wear full hijab and cover their faces in front of men, and that the men would not have touched them as happened during the &#8220;covenant&#8221; scene.  They also didn&#8217;t explain how a lookalike to Nasima ended up dead in a ditch.</p>
<p>Also, the bit about the control orders might have worked if the programme was presented as some sort of cautionary tale about where the Blair control order legislation might lead, but that wasn&#8217;t my impression at all.  Much as there have been no female suicide bombers in this country (and the only women tried for involvement in any way have been cleared), I&#8217;ve not heard of a single woman being given a control order, and it seemed strangely lenient given that she was allowed to go into college and somehow trusted not to meet people who were on the list of people she couldn&#8217;t meet but one of whom went to that college.  And the idea of someone killing themselves after that &#8211; particularly as she wasn&#8217;t under the order that long when she did it, and her friend still managed to get into her house to talk to her &#8211; doesn&#8217;t ring true, particularly for a Muslim.</p>
<p>Too much artistic licence and/or ignorance, in my opinion.</p>
<p>Yusuf, New Malden, Surrey</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Shak</title>
		<link>http://www.yahyabirt.com/?p=115&#038;cpage=1#comment-3495</link>
		<dc:creator>Shak</dc:creator>
		<pubDate>Fri, 02 Nov 2007 10:00:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.yahyabirt.com/?p=115#comment-3495</guid>
		<description>Just a correction: I think it was Umm Usama rather than Umm Al Qaida.

S. Shaikh, Radio Shak</description>
		<content:encoded><![CDATA[<p>Just a correction: I think it was Umm Usama rather than Umm Al Qaida.</p>
<p>S. Shaikh, Radio Shak</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Editor@IJTEMA</title>
		<link>http://www.yahyabirt.com/?p=115&#038;cpage=1#comment-3467</link>
		<dc:creator>Editor@IJTEMA</dc:creator>
		<pubDate>Thu, 01 Nov 2007 13:22:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.yahyabirt.com/?p=115#comment-3467</guid>
		<description>Assalamu &#039;alaykum wa rahmatullah
I pray that you are in the best of health &amp; imaan.
This is a short message to notify you that this entry has been selected for publishing on &lt;a href=&quot;http://www.ijtema.net&quot; rel=&quot;nofollow&quot;&gt;IJTEMA, a venture to highlight the best of the Muslim blogosphere&lt;/a&gt;.
To find out more about &lt;a href=&quot;http://www.ijtema.net&quot; rel=&quot;nofollow&quot;&gt;IJTEMA&lt;/a&gt;, and how you can further contribute, please click &lt;a href=&quot;http://www.ijtema.net/about-ijtemanet/&quot; rel=&quot;nofollow&quot;&gt;here&lt;/a&gt;.
May Allah bless you for your noble efforts.
Wa&#039;salam</description>
		<content:encoded><![CDATA[<p>Assalamu &#8216;alaykum wa rahmatullah<br />
I pray that you are in the best of health &amp; imaan.<br />
This is a short message to notify you that this entry has been selected for publishing on <a href="http://www.ijtema.net" rel="nofollow">IJTEMA, a venture to highlight the best of the Muslim blogosphere</a>.<br />
To find out more about <a href="http://www.ijtema.net" rel="nofollow">IJTEMA</a>, and how you can further contribute, please click <a href="http://www.ijtema.net/about-ijtemanet/" rel="nofollow">here</a>.<br />
May Allah bless you for your noble efforts.<br />
Wa&#8217;salam</p>
]]></content:encoded>
	</item>
</channel>
</rss>
